Creature from the Black Lagoon
When it comes to my home media collection, the Universal Horror franchise is probably one of the longest ongoing ‘relationships’ that I’ve had, perhaps second only to the decade and a half spent picking up classic Doctor Who stories on DVD.
I originally watched the 1930s and 40s horror classics when I was a teenager, when they were shown as a series of late night double bills on Channel 4. Sadly they then disappeared from the schedules (too hokey and creaky for modern audiences, no doubt) and it wasn’t until 2004 that a DVD boxset of 14 assorted Dracula, Frankenstein and Wolf Man films plus one-offs from The Mummy, Phantom of the Opera, Creature from the Black Lagoon and The Invisible Man was released which I eagerly picked up despite the frankly exorbitant price. The rather excellent busts of the three top monsters included in the set actually made it worthwhile, and they still have pride of place on my shelf to this day.
After that it was nearly a decade before Universal released eight of their main classic monster films on the Blu-ray format as the Essential Collection (see review). The high definition restorations were truly spectacular, and far beyond what I had thought possible given the age and quality of the original materials. The only problem was that a lot of my favourite sequels such as Son of Frankenstein that had been in the original DVD boxset had been omitted. Read the rest of this entry »
Almost five years ago I wrote enthusiastically about the release of Universal Studio’s Monsters – The Essential Collection, a boxset of eight of its most famous golden age horror movies from the 1930s and 1940s. It was the first time these iconic movies had been officially released in the UK on Blu-ray in newly remastered high definition versions, and they were a glorious sight to behold
At the time I penned gushing reviews of Dracula and Phantom of the Opera. As it happens I recently rewatched the original 1931 Frankenstein film and was astounded all over again – both by the flawless and beautiful monochrome restoration of a film that’s now nearly 90 years old, and also by how terrific the film itself still is, and how brilliant Boris Karloff’s portrayal of the monster remains to this day. My only criticism is that it’s so short and over all too quickly, the Monster no sooner brought to life than he is running amok and being hunted by a pitchfork-wielding mob of angry villagers. The clarity is so vivid, you can clearly see the folds and creases in the cloth backdrops used for the sky and clouds.
The Monsters – The Essential Collection boxset was one of my favourite purchases of 2012, and the only drawback to it was that several of the later movies from the Universal horror franchise were not included, among them some of my favourite if lesser-known genre films of the period. I confidently predicted that it surely wouldn’t be long before a second volume took care of that omission; alas, I waited in vain for years for such a boxset to materialise here in the UK, and it never happened. Until now. Well, sort of. Read the rest of this entry »