It seems like only last week I was suggesting that Doctor Who is best when it’s at its most scary. Oh, wait a minute, it was only last week. There you go, you see: you wait for ages for an effective, chilling episode to come along and then inevitably two turn up in quick succession, in what can’t help but look like a bit of an awkward hiccup in scheduling.
But in fact, despite sharing some basic horror elements, this week’s story is very different from last week’s “Can You Hear Me?”. That started with a ‘big monster on the rampage’ sequence, segued to a creepy guy lucking in the shadows in people’s bedrooms, went on to the very stuff of modern nightmares, only to veer off into an earnest and well-executed drama about mental health which unfortunately came at the cost of pretty much losing the plot in the process. In contrast, “The Haunting of Villa Diodati” starts with a classic haunted house tale, and despite adding a science fiction element to the heart of (almost) all the ghostly incidents and even very effectively connecting it up to the overall series arc, the script by Maxine Alderton manages to never lose focus or cohesion and as a result delivers an episode right up there with the classic entries in the history of the long-running series.
The story has its own message – about how “words matter” and can change lives – but it does so very nimbly and as part of building up the stakes for a no-win decision facing the Doctor, rather than as some major declarative statement as has been the case at other times in the Chris Chibnall era of the show. The episode also continues Chibnall’s interest in foregrounding real historic events and people as seen previously in “Rosa” and “Nikola Tesla’s Night of Terror”, but again a light touch means that this time it feels much like a natural scenario and interesting line-up of guest characters appropriate for the drama on hand rather than another public service historical infodump. Read the rest of this entry »
I always tend to think that Doctor Who is best when it’s at its most scary, and on that basis alone there’s no denying that the first act of the latest episode of season 12 goes all out to deliver the chills. After a strong pre-titles sequence set in Aleppo in 1380, we’re rapidly plunged into a series of nightmares which seem to centre on a strange tattooed man called Zellin (Ian Gelder), who is to be found lurking disturbingly in the shadows in impossible places.
Pretty soon the story spreads out, moving on from simple horror movie/ghost story jump scares and into the full spectrum of modern anxiety-inducing terrors, from adolescent worries about bullying to more adult concerns such as health and bereavement. It becomes apparent that Zellin is from an immortal race that feeds on the fears of others, giving him a God-like status similar to former classic adversaries the Doctor has encountered such as the Eternals (“Enlightenment”), the Guardians (the Key to Time season) and even the Celestial Toymaker, all of whom receive a brief name check that will tickle long-time fans – but which in the process accidentally promises more than the story goes on to deliver.
Alien beings feeding on fear is not exactly a new concept in horror and science fiction – most long-running shows have done a variant of this sort of thing in the past – but the twist that writers Charlene James and Chris Chibnall apply to “Can You Hear Me?” is the very welcome focus on real-life mental health issues. The input of the UK charity Mind is evident in how well the episode addresses how we are all likely to become nervous, upset, worried, despondent, depressed and afraid at some point in our lives, but that with the right support from friends, families, counsellors and therapists we’ll be able to get through any such crises, that tomorrow is another day, and how it’s worth hanging in there to see it through. Read the rest of this entry »