Without question we’re living in the middle of a crime spree. Television crime, that is. While the streets have arguably never been safer in real life, the small screen is delivering a never-ending stream of criminal activity right into our living rooms – and it seems we just can’t get enough of it.
Here’s a look at five detective shows that are currently back on the evening schedules. Spoiler alert: they’re all really worth watching, providing that you can stomach the glut of nefarious deeds on display! Read the rest of this entry »
I have a confession to make this week: I was up to my ears in work over the weekend, and was in a distracted mood for everything else that evening, which means that this week’s episode of Doctor Who wasn’t able to really grip me or even sink in properly (and also explains why it’s taken longer to write this post than usual.) I suspect this is mainly my own problem/fault, although if I were being harsh I could suggest that the very fact that the episode ‘happened’ without actually demanding my attention suggests that it wasn’t all that it had been hoped it would be.
In many ways, this was the episode we should have expected from Neil Gaiman when we originally heard that the fantasy author was going to write for the series. Instead we first got the brilliant “The Doctor’s Wife,” which set such high standards for any follow-up story that it was almost impossible to meet even with appropriately lowered expectations set firmly to ‘realistic’ in advance. It’s still full of recognisably authentic Gaiman-esque touches, being set in the richly textured and slightly off-kilter landscape of a derelict amusement planet populated by memorably quirky characters none of whom are or end up being what they initially seem to be – of which the same could be said about the Doctor and Clara themselves. Read the rest of this entry »
It’s taken over two years for the US version of Being Human to get picked up for an airing in the UK – perhaps there was a moratorium on the North American version being sold back to Britain while the original was still in production? With the UK series coming to an end after five seasons, however, it seems we’re finally okay to see what they did with the concept on the other side of the Atlantic.
I was initially dubious about watching this, given that I really loved the early seasons of Being Human with the original cast and wasn’t sure I could be objective about a show that is ‘the same but entirely different’ – it was hard enough to manage that between the original Danish Forbrydelsen and the subsequent US remake entitled The Killing. Everything that’s the same grates, because of course the original did it better; and everything that’s different leads to mounting irritation of the ‘why did they have to muck around with that?’ variety.
Both shows revolve around the concept of a ‘supernatural unholy trinity’ of a vampire, a werewolf and a ghost sharing the same ordinary suburban house, devised by Toby Whithouse. In the UK version the characters were Mitchell, George and Annie and they lived in Bristol; in the US version it’s Aidan, Josh and Sally and the location is Boston, although the show is actually shot in Montréal, Québec. Of course it would be grossly unfair to directly compare the shows character for character – so that’s precisely what I’ll do, because it’s pretty much unavoidable. Read the rest of this entry »