Without question we’re living in the middle of a crime spree. Television crime, that is. While the streets have arguably never been safer in real life, the small screen is delivering a never-ending stream of criminal activity right into our living rooms – and it seems we just can’t get enough of it.
Here’s a look at five detective shows that are currently back on the evening schedules. Spoiler alert: they’re all really worth watching, providing that you can stomach the glut of nefarious deeds on display! Read the rest of this entry »
This week saw the return of Jed Mercurio’s Line of Duty, the gripping drama featuring the work of police anti-corruption officers.
If I’m honest, I rated the first run as merely ‘okay’ as it felt to me to be a little too obsessed with overtly mocking the politically correct health and safety regulations that police officers in general have to work under. The point of the story in that first season is that one can either follow the rules but achieve little of note, or be a successful law enforcer with the best arrest and conviction record in the Force in which case one’s career will be wrecked for the perceived cutting of corners. Most searingly of all, the lesson was that no one could do both at the same time but had to choose which side of the fence they came down on.
After this somewhat over-worthy first run (which featured Lennie James as the stand-out turn playing the detective chief inspector under suspicion), the second series spectacularly exploded into brilliance with the tale of the unit’s investigation of DI Lindsay Denton (Keeley Hawes) after a convey transporting a protected witness was ambushed and Denton left as the only survivor. Was she complicit in the crime or framed? This uncertainty drove six episodes of truly stunning drama in which any health and safety swipes were introduced as natural background details rather than as the central part of the series’ raison d’etre.
After that brilliant series it’s hardly surprising that it’s taken Mercurio two years to come up with a third season. I had fears that the follow-up was never going to equal the superb second series, but if anything the first episode of series 3 could actually prove to be Live of Duty’s finest hour. Read the rest of this entry »
I hadn’t realised until I saw the publicity for series 2 that the original run of Line of Duty that aired last July had been the most watched original new drama on BBC2 for ten years: I suspect this achievement was subsequently eclipsed by the even bigger success of The Fall, but that merely serves to put it into even more impressive company as far as I’m concerned.
It’s a quick return for writer/creator Jed Mercurio’s police drama, but it immediately seems a very different beast. The first season was essentially a head-to-head confrontation between Tony Gates – a wildly successful, popular and charismatic Detective Chief Inspector played by Lennie James – and AC-12 anti-corruption officer DS Steve Arnott who was out to prove Gates complicit in ilegal activity and bring him down with the help of DC Kate Fleming. The structure of the original six-parter was evenly split between the characters of Gates and Arnott, with the audience invited to make up their own minds as to which – if either – was on the side of the angels. Gates, after all, brought down the bad guys while Arnott was using the absurdly Kafka-esque police procedures and health and safety regulations to entangle him over seemingly petty transgressions.
While the character of Gates does not return for season 2 for reasons obvious to anyone who saw the first series, Arnott (Martin Compston) and Fleming (Vicky McClure) are back along with their boss Superintendent Ted Hastings (Adrian Dunbar) and new recruit DC Georgia Trotman (Jessica Raine from Call the Midwife, An Adventure in Space and Time and Doctor Who episode “Hide”) and this time the target of their investigation is DI Lindsay Denton played by Keeley Hawes (Ashes to Ashes, Spooks). Unlike the first season, in this story Denton is no obvious hero and indeed is a complete enigma to us: this time we are firmly in Arnott and company’s shoes in trying to figure out just what is going on and who exactly is responsible. That makes this Line of Duty in many ways a more traditional and conventional type of crime thriller, but at least that means it has also dropped its slightly tiresome soapbox preaching about the unfair burdens of paperwork and overbearing scrutiny that the police toil under. Anything that it might have lost is more than made up by the shock-upon-shock developments of season 2, which instantly grip us by the throat and refuse to let go. Read the rest of this entry »