Contains spoilers for the episode
Normally when a new Doctor (and production team) takes over, you have to wait for the second episode for things to settle down in order to get a clear picture of where the show is truly headed under its new management. But this time it seems we’ll have to wait a little longer, until episode 3 at least, because “The Ghost Monument” gives us little in the way of pointers to the long-term future.
That’s possibly because the story picks up to the split second where “The Woman Who Fell to Earth” left off, and as such feels like a direct continuation. There’s still a sense of everything being on the throes of post-regenerative trauma, with all the various bits still fizzing through the air and looking feverishly for their correct place in the order of things. Read the rest of this entry »
Trying very hard to avoid any spoilers
Things have been quiet of late at Taking The Short View Towers, but it was inevitable that the return of Doctor Who to our screens would be a wake-up call rallying us back into service. And so off we go into the autumn with a new season of Time Lord related reviews.
It’s certainly good to see the show back – about time, you could say – but you’ll quickly find that nothing is exactly like it was before. If the prospect of a new actor playing the title role isn’t enough, then hold on to your floppy hat and long scarf because this is where everything changes. Read the rest of this entry »
Contains spoilers for the 2017 Christmas special
The Twelfth Doctor has left the building. And in a passing of the flame ceremony not seen since New Years Day 2010, we also say farewell to much of the creative talent that had been driving Doctor Who forward for the last seven years, including series star Peter Capaldi, regular contributor Mark Gatiss, composer Murray Gold (or so it’s rumoured) and last but by no means least showrunner and main writer Steven Moffat.
They sign off with “Twice Upon A Time”, which is a love letter from them to the series itself. As well as characteristically outstanding direction from Rachel Talalay, it features performances of the highest order from Capaldi and Gatiss, from Pearl Mackie as companion Bill Potts, and especially from David Bradley as the First Doctor who was originally played by William Hartnell and who briefly returns here in archive footage from 1966. It’s also an example of Moffat’s writing at its highest quality, providing a thoughtful character-driven drama that delivers a perfect Christmas message while signing off an era of the show and clearing the decks for what’s to follow in Autumn 2018. Read the rest of this entry »
The biggest surprise at the conclusion of the first series of Broadchurch had been the appearance of the caption after the end titles boldly declaring that “Broadchurch will return”. Why such a surprise? The eight-part story surrounding the death of young Danny Latimer in a small south west coastal resort town had been such a perfect gem of a production that you couldn’t help but wonder just what on earth they could possibly do to extend the show that wouldn’t also end up wrecking the reputaion of the original in the process.
It was with this trepidation in mind that eighteen months later I sat down to watch the first episode of the second season – and happily, any fears or concerns that I had about whether Broadchurch could possibly return as strong as it went out were pretty much swept aside in the first ten minutes. In a ghostly echo of the way that the first series had kicked off, it opened with an overview of our sprawling main cast of characters as they started to converge on one particular destination in town. But there were no cheery nods and waved greetings this time; it was a far more sombre affair as they all headed to the local court to see the murderer of Danny Latimer formally enter his plea. Once this was done then everyone would be able to start to move on, recover and heal from the vicious wounds inflicted on the community by the original killing and the investigation that had followed.
The way the moment was built up, you just knew there was a sting coming. It wasn’t very hard to see what it had to be, either. But even so, the moment when it actually came was still enough to make you gasp and it actually felt like you’d been slapped round the face without warning. Any show that can achieve something of that impact before the first commercial break clearly knows what it’s doing, and there was no question that the showrunner and series creator Chris Chibnall was in assured form as he set about following the implications as they rippled through the community. Read the rest of this entry »