These days I strictly ration my visits to the cinema, with the exception of two franchises that will immediately override the austerity lockout: one is the James Bond series, and the other consists of the Star Trek films. Currently the tally of each stands at 13 for the former up to last year’s Skyfall (or 14 if you include Never Say Never Again, which of course I don’t) while Star Trek Into Darkness marks the 12th film of the science fiction series that I’ll have dutifully trotted out to see during its initial theatrical run.
Let’s cut through the suspense and deliver the bottom line: is it any good? The answer is yes, very. If you love the 2009 JJ Abrams-helmed reboot (see my contemporary review here) then you’re almost guaranteed to love this follow-up since it contains all the elements that made the first film so successful, including the jaw-dropping spectacular visuals, non-stop adrenalin-rush thrills, the jittery camerawork and jump zooms and of course the lens flare that slathers every shot to the point of self-parody. Of course if you were among that group that felt the first film made a travesty of the original spirit of the Star Trek series then none of this is going to do anything to persuade you to the contrary this time, either. And I confess, I had at least one foot in that camp and wasn’t as utterly thrilled with Abrams’ first outing as many people were as a result. Read the rest of this entry »
Ahead of seeing Star Trek Into Darkness, here’s a review of the first JJ Abrams that I wrote on its original release in May 2009 and reproduced from the general topic blog that I had at the time …
The new Star Trek movie is a great piece of entertainment and easily one of the best action movies of the year. As a relaunch of the Trek franchise, it’s an outstanding success. But for all that, don’t believe the hype – it’s good, but it’s just not great.
Viewed as an attempt to reboot, revive and recast a moribund franchise, it’s an unqualified success. While remaining true to the underlying Trek ethos, the film manages to be fast, funny and action-packed where the old series and movies could be slow, ponderous and preachy. Yet despite any carping from die hard fans, the film is remarkably true to Gene Roddenberry’s vision of an optimistic, altruistic and inspirational future. And despite the misgivings of many a fan, myself included, the recasting of iconic roles is almost without exception a collection of huge successes.
Zachary Quinto, for example – so great in Heroes, where he plays arch villain Sylar with an intelligence, subtlety and an outrageous amount of scene stealing that he’s almost the only reason for watching that show any more – is beyond perfect as Spock. He is both convincingly a young version of Leonard Nimoy’s character, and yet his own man as well, much more expressive, on edge and volatile than the refined and dignified Nimoy. He’s so good that you almost believe that this film and the entire Trek reboot has been sitting on its hands for seven years since the previous film just waiting for Quinto to be ready to accept the role. Read the rest of this entry »