As things turned out, there wasn’t enough time between the end of Doctor Who series 9 and the follow-up Christmas special for us to produce our now-traditional look back over the most recent run of stories featuring our favourite maverick Time Lord. Instead, we thought we’d allow the holiday festivities to well and truly settle down before finally turning our merciless combined fan gaze on the latest run of episodes. Plus, there was the small matter of John, self-confessed Star Wars superfan, experiencing an awakening of some sort…
Then, just as we were thinking of putting pen to paper (or fingertips to keyboard and touchscreen), the news broke that Steven Moffat is to step down as showrunner after the next series and the torch is to be passed on to Broadchurch creator Chris Chibnall – himself a man with impeccable Doctor Who fan credentials who has contributed several stories to the show over the years, and also to Torchwood which he co-produced for the first two series.
Does the confirmation of his impending departure colour our perspective of Moffat’s fifth complete series in charge of our favourite show? Will we get misty-eyed and sentimental about the Grand Moff’s achievements now that the end is in sight? You’ll have to read on and see, as we embark on a particularly timey-wimey trip through the highs and lows of series 9.
Spoilers ahoy, Sweeties! Read the rest of this entry »
Contains spoilers. Only to be read once you have already seen the episode. You have been warned!
So that’s it. Another season of Doctor Who is complete. And for my money at least, it’s been one of the best since the last full season helmed by Russell T Davies as showrunner: stronger, more consistent and without a doubt more coherent and satisfying than it has been in years. The only question coming into this weekend was whether Steven Moffat could close it out successfully without fumbling the ball on the line.
The short answer is that he could, and rather magnificently, in a fitting finale that addresses and encompasses all the major themes of the season in a way that is both suitably epic for a season finale and at the same time wonderfully intimate and character-led.
The longer answer is by definition somewhat longer (duh!) and more detailed, and contains a few more ‘buts’ along the way. While this was perhaps the best finale since “Journey’s End” it still contains a number of flaws and imperfections and some things for us to note that the show needs to avoid in the future. But before we spoil the mood with such talk, let’s first appreciate all that worked rather brilliantly in “Hell Bent” Read the rest of this entry »
Contains major, MAJOR spoilers. Do not read if you haven’t already seen the episode. You have been warned!
And so the moment that we knew was coming has finally arrived – just slightly earlier than we expected. At least, it was unexpected providing that you were able to avoid the tidal wave of spoilers that flooded the Internet in the days preceding the broadcast of “Face The Raven”, episode ten of the 12-part season nine of Doctor Who.
Actually I’d already had an inkling that it might happen by knowing something of the content of the final two-parter still to come, but it was quite extraordinary how the firewall of security around the show comprehensively broke down in the run-up to last Saturday – even to the point of the show’s star Peter Capaldi apparently letting slip on a national chat show the big dramatic twist lying at the end of this week’s story. The secret was so completely spoiled that I had even started thinking that maybe it was all a double bluff, a red herring designed to lead us into expecting one thing while delivering something else. So much so that I’d half-convinced myself that the ‘twist’ was going to be that Clara would escape her fate by standing and facing the raven, that confronting the fear with the mantra “Let Me Be Brave” might remove its power of death over the victim. But no, it was not to be.
To be honest, even now – several days after watching the episode – I’m still wondering whether that cavalcade of spoilers in the days leading up to the broadcast really weren’t some sort of intentional campaign of disinformation. Part of my thinking here goes back to the question “Are spoilers actually spoilers?” that we’ve tackled here on Taking The Short View before. Certainly a spoiler changes how you watch something and what you get out of it: instead of the brief shock of the actual moment, in this case you get 45 minutes of increasing tension and anxiety as the moment approaches and you’re hoping that you’ve been wrong all along. But that could be what the programme makers had been intending all along in this case, hence the possibility of intended leakage rather than accidental or malicious spoilers. Read the rest of this entry »
There was someone odd, almost off-kilter about this week’s episode of Doctor Who right from the start. As soon as the Doctor’s head poked out of the Tardis door and wasn’t immediately followed by any sign of Clara, it was clear that was something fundamentally different about “The Woman Who Lived.”
Of course the show strives to be different almost every week – it’s why I end up doing a review of every episode while virtually every other show on TV can be sufficiently covered in a single post. That variation has been particularly apparent under showrunner Steven Moffatt who delights in confounding expectations and coming up with new things with which to tease and titillate the viewers, whether it’s new variations on old themes like “Under the Lake” or ostentatiously radical reinventions like “In The Forest Of The Night”. Some work and some don’t, but it’s never dull or boring and the same was true of the entirely off-the-beaten-track diversion this week. Read the rest of this entry »
Contains spoilers for the aired episode.
I admit, I didn’t have high hopes coming into this episode. From the previews it looked like Doctor Who’s latest attempt to switch into historical romp mode after the pair of pretty heavy and intense two-parters opening season nine. As long-time readers of Taking The Short View will probably recall, I pretty much hate such diversions as my loathing for last year’s “Robots of Sherwood” will attest. Generally speaking, it’s been my unwavering view that the show during Steven Moffat’s tenure has struggled badly when it comes to striving to do light-hearted fare, with a very few notable exceptions, and that it shows just how hard it can be to do comedy satisfyingly in a show which is at heart an action-adventure drama.
Moffat did at least pull out all the stops and try his absolute best with this latest offering, mainly by putting his top writing team on the job – one of whom, inevitably, is Moffat himself. It’s a measure of how fast and high Jamie Mathieson’s Who stock has risen since his début scripts for “Mummy on the Orient Express” and “Flatline” last year that he’s the other name on the script. Surely if anyone could have pulled off an entertaining historical romp without making my teeth itch and my toes curl it would have been Moffat and Mathieson? Read the rest of this entry »