Not, I should immediately make clear, by the story and events of “The Name of the Doctor”, the series finale of the extended staccato season 7 of Doctor Who. As has so often been the case with Steven Moffat’s work down the years, what appeared at the outset to be brain-scrambling head-twister of a puzzle is by the end almost charmingly simple and straight-forward by the time it’s explained – and I mean that as a sincere compliment, an example of the craft of writing at its highest level.
Most of us had already figured out that the secret to Clara Oswald (Jenna-Louise Coleman) was that she had somehow been ‘split up’ and scattered (“like confetti”, as the show itself described it) across all of time and space in a manner akin to the fate of the last of the Jagaroth from the classic serial “City of Death”; all that this new episode did was provide the mechanism for how this did indeed come to happen, and why it was that the Doctor kept running across her. It was not coincidence, it turned out, but an essential part of the design – no accident but rather completely unavoidable. Read the rest of this entry »
Some spoilers for the unwary
“The Wedding of River Song” turned out to be a fun, entertaining episode to round out the sixth season of Doctor Who. But strangely, what it wasn’t was a resounding season finale spectacular, or a sufficiently satisfying pay-off to a complex and at times maddeningly twisty multi-season story arc.
Perhaps the problem is that the episode brings in so many characters and storylines from the past that it had the overall feeling of being ‘a little bit of admin’, there mainly to wrap up the loose ends. It feels like the end of the mystery novel, the chapter just after the murderer has been unmasked and then taken care of in an exciting fight/chase sequence: the one where everyone sits down in the drawing room sipping a cup of tea, and someone asks the main character “So, just how did you figure it all out?” and there then follows ten pages of exposition. Read the rest of this entry »