Contains major spoilers and scattershot speculation
So, that happened. Now the only questions that remain are exactly what did happen, where did it all came from, and what it means for the future. And does the final outcome live up to the pre-broadcast hype that ‘everything changes’?
Certainly you could hardly get more night and day than this year’s run of episodes compared with its season 11 predecessor. When Chris Chibnall took over the reins of the show, the declared intention was to make Doctor Who open and accessible to all once again. It planned to do so by doing away with the disconcertingly convoluted timey-wimey plots spanning one or more seasons, dispensing with recurring characters, adversaries and monsters, and cutting out the relentless deep-dives into the series history that had hallmarked Steven Moffat’s tenure as showrunner. While well-intentioned, the end result was somewhat divisive with many fans unhappy with season 11’s sudden change of direction, leaving them feeling that the approach had resulted in a run of disconnected and fragmented episodes that lacked dramatic heft. Whether they were right in this verdict or not, the question today is whether this adverse fan response to season 11 resulted in a major rethink in approach by Chibnall and his production team, or whether it was always the plan all along to go down this entirely different road in 2020. I suspect it’ll be a long time before we know the truth of the matter either way.
What’s beyond doubt is that this series has gone all-in on bringing back familiar characters and monsters and complex plotting, and most of all using the series’ own continuity to a degree that even Moffat would likely have baulked at. The season finale leaned heavily for inspiration on three seminal stories from the 1970s, and on the never-realised plans for the show that were cut off by the series being cancelled (or: never actually renewed) at the end of 1989. Let’s take each of these influences in turn. Read the rest of this entry »
After a strong season opener on New Year’s Day, the main thing that part two of “Spyfall” absolutely had to do was stick the landing and not drop the ball in the process – if you’ll pardon the clumsy mixed sporting metaphor. And the good news is that it pretty much pulled it off, rewarding the audience with another largely enjoyable hour of television featuring thrills, spills, laughs, action, spectacle – as well as an unexpectedly dark mystery at its core to carry us through the rest of the season.
The episode picks up exactly where part one left off, which means that Graham (Bradley Walsh), Ryan (Tosin Cole) and Yas (Mandip Gill) are stuck on board a crashing airplane with the Doctor nowhere in sight – although that doesn’t mean she doesn’t also help save them from certain death. The two groups are subsequently kept apart for most of the rest of the episode, which means that the companions get some time to shine in their own right as they discuss what the Doctor would do if she was there. Graham meanwhile graduates from delivering muttered quips and witticisms to some full on slapstick as he uses a soft shoe shuffle to activate the laser shoes he purloined from MI6. Read the rest of this entry »
Having rather taken a knife to Doctor Who, here’s a quick palette cleanser with a more positive review of The Tractate Middoth penned by Steven Moffat’s Sherlock partner-in-crime Mark Gatiss, who also makes his directorial début with this adaptation of the MR James short story. Read the rest of this entry »
Cutting straight to the chase, An Adventure in Space and Time is without doubt one of the best dramas that’s been made this year.
Of course I’m biased, being a long-time fan of Doctor Who to which this biographical docu-drama is an emphatic and unashamed love letter (as it is also to the iconic BBC Television Centre building, so beautifully used as a location throughout.) The 80 minutes tell the story of how the world’s longest-running science fiction programme was created by the BBC in 1963, and of its first three years which starred William Hartnell in the title role. However you don’t have to be a ‘Whovian’ to appreciate just how good this drama is, just as I didn’t need to be a fan of a certain long-running soap to be wowed by the similar The Road to Coronation Street in 2010, which I still rate as one of the best things the BBC made that year.
To true Who fans, all the characters involved and a lot of the events of An Adventure in Space and Time will be as well known as one’s own family myths and legends, and writer (and life-long fan) Mark Gatiss tells them all with a lightness and deftness of touch which keeps everything both breezy and entertaining while at the same time also utterly true and reverential to the documented facts – a very hard high-wire act to pull off as successfully as he does here. For example, scenes showing Hartnell fretting about mapping out what each button on the Tardis console does – and refusing to follow the instructions of a director where it contradicts what he’s mapped out – are very much part of established Who lore and yet are included here as important character traits rather than being shoe-horned in to flatter the Who cognoscenti. Read the rest of this entry »