Apparently The Blacklist has brought NBC its highest ratings for a freshman drama series since the turn of the century, and just ten episodes into its run it’s not only been given a full-season order it’s also been given a very early renewal for a second year as well. I’m surprised by this, not because the show isn’t any good (it’s one of the best of the Class of 2013 so far) but because it’s such early days and the show is still so clearly finding its feet by trying on a succession of different borrowed sets of attire as it seeks to find out what it wants to be when it grows up and becomes a proper TV show.
The high-concept premise is that notorious former high-level government agent turned elusive most-wanted fugitive called Raymond “Red” Reddington suddenly walks into the FBI building in Washington DC to calmly turn himself in. He offers to help them capture some of the most evil and dangerous criminal threats in the world – many so successful the FBI doesn’t even know about them – but on one condition: he will work only with rookie profiler Elizabeth Keen. A special task force is green-lit with the sort of alacrity only ever seen in time-starved television pilots desperate to lay out their format for the studio execs, and away we go: only it’s soon clear that not only is Red playing a very different game, he is also ten steps ahead of the plodding FBI staff at every turn to entirely his own unknown ends. Read the rest of this entry »