Well, that was rather unexpected.
When Chris Chibnall took over Doctor Who as showrunner, he had a clear vision to strip everything back and reinvent the show from the ground up. Gone were the recurring or returning characters from the past, or appearances from familiar monsters; no more complicated timey-wimey plot lines dipping into the show’s past continuity for story elements that only long time hardcore fans would understand. Start from first principles and work from there, seemed to be Chibnall’s new approach. But it proved decisive as well as daring, and while it reaped rewards in some areas it also alienated large sections of fans who grumpily declared that it was no longer the show they loved. When the Daleks returned for the 2019 New Years Day special it seemed like the show was throwing a bone to assuage these rabid packs of fans, as a reward for sticking in there.
To be honest, I thought that season 12 would see Chibnall return to his New Model Doctor, which is why the events of “Spyfall” – with the return of a very old adversary, together with a visit to the Doctor’s home world Gallifrey which has seen better times and needs a lick of paint and a truck load of new double glazing – proved such an unexpected shock. But since then the most recent episodes seem to have reverted to the S11 baseline with standalone stories featuring previously unseen characters, with an emphasis on real historical people where possible, and so it seemed that not much had changed after all. The advance publicity of the fifth story, “Fugitive of the Judoon”, seemed pretty much in the same vein with the one surprising aspect being that it’s the first time Chibnall has openly announced that he was bringing back an established character/monster from the past, rather than rolling it out as a hidden surprise.
I was puzzled by Chibnall’s choice of the Judoon for this purpose: they’re hardly from the top shelf of the pantheon of Doctor Who creations. First introduced in the season 3 opener “Smith and Jones”, the oafish and officious Judoon were always a one-note sight gag – Russell T Davies satirising lunk-headed private security guards and neanderthal nightclub bouncers by presenting them as trigger-happy space rhinos in leather skirts. They weren’t even the primary adversaries in their debut story, and more recent appearances have seen them limited to background extras in exotic alien crowd scenes. I suspect they’ve had more regular gainful employment scaring children by prowling around the auditorium at Doctor Who musical concerts and BBC Proms. I certainly hadn’t noticed many viewers clamouring for their return. Read the rest of this entry »
Contains spoilers for the episode
Last month, the episode “Rosa” caught fans out by delivering an unabashed return to the ‘historical’ sub-strand of Doctor Who that had been more or less dormant since the 1960s. The truly surprising thing about Vinay Patel’s “Demons of the Punjab” is that it repeats the same trick just three weeks later, establishing beyond doubt that “Rosa” was no mere one-off quirk but rather a fundamental tenant of new showrunner Chris Chibnall’s vision for the future of the venerable show, despite this being the first time this season that he takes a step back from writing duties.
The destination this week is India in 1947 on the eve of Partition, that typically British pragmatic bureaucratic ‘solution’ to an intractable problem that caused huge upheaval for millions of people and cost a large proportion of them their lives, setting off an onslaught of ethnic cleaning and laying down fault lines in world geopolitics that persist to this day. You have to say this about us Brits: when we put our minds to, we really know how to spectacularly screw things up with a ‘sensible’ solution that makes no sense but causes infinite harm to those on the ground. Read the rest of this entry »