Rachel Talalay

Sherlock S4E1 “The Six Thatchers” (BBC One)

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Contains spoilers

sherlockIt’s been almost exactly three years since the last ‘regular’ episode of Steven Moffat and Mark Gatiss’ modern Sherlock, not counting the one-off 2016 New Year’s special which took Benedict Cumberbatch’s Holmes and Martin Freeman’s Watson out of time and back to the original Victorian-era setting of Sir Arthur Conan Doyle’s stories.

When last we were with Sherlock, it appeared that his arch enemy Moriarty had risen from the dead to threaten Britain with a new crime. Three years is a long period over which to sustain interest in any cliffhanger, so you’d expect “The Six Thatchers” to waste no more time getting stuck into the long-awaited denouement, but you’d be gravely mistaken. Instead, the whole Moriarty aspect is quickly kicked to the kerb, used briefly as a plot device to get Sherlock reinstated after his cold bloded murder of Charles Augustus Magnussen in “His Last Vow” and thereafter as a distraction and a red herring to obscure the true crime that is underway, which is signalled by the destruction of six china busts of Margaret Thatchers in varying locations around the country. Read the rest of this entry »

Doctor Who S9E12 “Hell Bent”

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Contains spoilers. Only to be read once you have already seen the episode. You have been warned!

drwho-hellbent-1So that’s it. Another season of Doctor Who is complete. And for my money at least, it’s been one of the best since the last full season helmed by Russell T Davies as showrunner: stronger, more consistent and without a doubt more coherent and satisfying than it has been in years. The only question coming into this weekend was whether Steven Moffat could close it out successfully without fumbling the ball on the line.

The short answer is that he could, and rather magnificently, in a fitting finale that addresses and encompasses all the major themes of the season in a way that is both suitably epic for a season finale and at the same time wonderfully intimate and character-led.

The longer answer is by definition somewhat longer (duh!) and more detailed, and contains a few more ‘buts’ along the way. While this was perhaps the best finale since “Journey’s End” it still contains a number of flaws and imperfections and some things for us to note that the show needs to avoid in the future. But before we spoil the mood with such talk, let’s first appreciate all that worked rather brilliantly in “Hell Bent” Read the rest of this entry »

Doctor Who S9E11 “Heaven Sent”

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Contains spoilers. Only to be read once you have already seen the episode. You have been warned!

drwho-heavensent-0Well, that was certainly extraordinarily audacious.

Seriously, can you think of any other television show on any other major network in the world that would hand over 55 minutes of its prime time Saturday evening schedule to what was in effect an experimental one-man avant-garde stage show?

The end result will likely be extremely polarising: some people will surely love “Heaven Sent” and rate it as one of the best things that the show has ever done, while others will doubtless trash it as self-indulgent pretentious nonsense. Still more will just wonder what the heck it was all about having been completely baffled and bemused by the whole thing. And many of us I think will just need some time to let this one sink in before we’re able to fully decide where on the spectrum we sit. Read the rest of this entry »

Am I a Good Man? A look back at Doctor Who Series 8

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Generation Star Wars‘ John Hood and Taking The Short View’s Andrew Lewin look back over the latest series of Doctor Who and come to a shocking verdict…

Before it started to air, Steven Moffat promised that series 8 of Doctor Who would be completely unlike anything we’d seen before – and he wasn’t joking. Peter Capaldi’s mysterious, unpredictable and at times downright unlikeable portrayal of the titular Time Lord at times evoked Colin Baker’s tenure as the Sixth Doctor. While he didn’t actually try to throttle his companion this time around, the latest Doctor certainly threw enough caustic barbs at Clara Oswald to provoke some of the most memorably heated confrontations between the show’s stars that we’ve ever seen in 51 years of the programme’s history, while at the same time in Danny Pink’s character arc there was a hint of the redemption found by mercenary Lytton in 1985’s über-violent “Attack of the Cybermen”. The eighth series certainly proved full of dark themes, challenging subjects, black humour and genuinely frightening horror to an extent that the series has never before attempted, but it also aspired to moments of pure visual poetry and took time to indulge in the silliest of comedy romps along the way. No wonder that Capaldi’s first year in charge of the TARDIS has proved almost as divisive and controversial as Baker’s did in its day.

With a few weeks now elapsed since the shattering climax, and just before we board the TARDIS once again for the 2014 Christmas special, John and Andrew compare notes about each episode of series 8 in turn with the benefit of distance and hindsight, and then gird themselves to debate the big question of the year: was it a triumphant hit or a disastrous miss? You might be shocked by how it all turns out… Read the rest of this entry »

Doctor Who S8 E11/2 “Dark Water”/”Death in Heaven” (BBC One)

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Contains complete spoilers for the episodes, and for the season.

It’s genuinely hard to know what to say about the two-part season finale that concluded series 8 of Doctor Who this week. It was the most extraordinary, compelling and unique 75 minutes of television I think I have ever seen. But if you ask me whether I enjoyed it, I’d have to say: ‘I’m not sure. Was I actually supposed to?’

death-in-heaven“Dark Water” and “Death in Heaven” were not enjoyable in the sense that, say, 2008’s “The Stolen Earth”/”Journey’s End” had been. That David Tennant story was practically a celebration of all that the modern rebooted series had been up to that point, and it was intoxicatingly uplifting and rousing. By contrast, the final two episodes of Peter Capaldi’s first season in the Tardis could scarcely have been more different: a dark and sombre meditation on some of the most difficult and profound issues pertaining to the human condition, there were no happy endings here and the ultimate feelings it engendered were bleakness and melancholia. The abyss hadn’t just looked back into you, it felt like it had signed a long term lease, moved in and redecorated the walls in the blackest of black for good measure.

I said a few weeks ago that “Kill The Moon”‘s foray into full-blown Alien-esque horror refuted the argument that Doctor Who was just a kids’s programme any more, but the season finale took the show so far out of its children’s/family background that it was more akin to a classical and/or religious epic quest story such as Homer’s “Odyssey” or Dante’s “Inferno” or even Charles Dickens’ “A Christmas Carol”. (I’m joking with the comparison: obviously, Moffat is by far the better writer of the quartet!) It gave us a deep examination of death and loss, of love and hate, of grief and despair, of the nature of true friendship, of truth and lies, and ultimately the question of good and evil as the show finally answered the question that the Doctor had asked three months ago in “Deep Breath” when the Time Lord had wanted Clara to tell him whether or not he was a good man. Read the rest of this entry »