Contains some spoilers
With the singular exception of Doctor Who I tend not to write more than one post on any given television show per season, unless something occurs that significantly changes my initial take on it, so I hadn’t intended to contribute any more thoughts about the latest series of Sherlock following my review of the New Year’s Day episode. But since it appears that this might be the very last we see of the Steven Moffat/Mark Gatiss incarnation of the consulting detective, an exception seemed called for in order for us to take one final look at the whole of season 4.
As regular readers might recall, I rather enjoyed “The Six Thatchers” which was the first of this run of three episodes, although some were put off by the Bond/Bourne overtures and pined for the time when the show ‘just solved mysteries’ (which was never the point of Sherlock.) I did however grumble about the final 20 minutes which seemed clunky and mis-paced after what had gone before. Read the rest of this entry »
It’s been almost exactly three years since the last ‘regular’ episode of Steven Moffat and Mark Gatiss’ modern Sherlock, not counting the one-off 2016 New Year’s special which took Benedict Cumberbatch’s Holmes and Martin Freeman’s Watson out of time and back to the original Victorian-era setting of Sir Arthur Conan Doyle’s stories.
When last we were with Sherlock, it appeared that his arch enemy Moriarty had risen from the dead to threaten Britain with a new crime. Three years is a long period over which to sustain interest in any cliffhanger, so you’d expect “The Six Thatchers” to waste no more time getting stuck into the long-awaited denouement, but you’d be gravely mistaken. Instead, the whole Moriarty aspect is quickly kicked to the kerb, used briefly as a plot device to get Sherlock reinstated after his cold bloded murder of Charles Augustus Magnussen in “His Last Vow” and thereafter as a distraction and a red herring to obscure the true crime that is underway, which is signalled by the destruction of six china busts of Margaret Thatchers in varying locations around the country. Read the rest of this entry »
I’ve always been surprised by the runaway popular success of BBC One’s Sherlock, starring Benedict Cumberbatch as Sherlock Holmes and Martin Freeman as Doctor John Watson.
It really does take the mantra of ‘smart is the new sexy’ to a whole new level and goes places that are so supremely ambitious that they become indistinguishable from the pretentious and self-indulgent a lot of the time. That makes it very much my sort of show, but I’m surprised it appeals to the mass audience anywhere near as widely as it apparently does if viewing figures are to be believed. The latest 90-minute special entitled “The Abominable Bride” was certainly one of the biggest and most hyped attractions of the BBC’s 2015 Christmas and New Year schedules and its importance was reflected by a near-simultaneous broadcast in the US on the same day.
Co-written by the show’s co-creators Steven Moffat and Mark Gatiss, you can see the DNA contributed by both parents: the dizzyingly complex plotting we’re familiar with from Moffat that twists past and modern strands together with frightening ambition, and the more viscerally pleasing Gothic horror sensibilities of Gatiss who also appears on screen as Sherlock’s brother Mycroft – the smarter of the Holmes boys. Read the rest of this entry »
The all-too-brief series 3 of Sherlock is over, aired in just 11 days after a wait of nearly two years since the cliffhanger ending of the previous series. I’ve already commented on the first episode, “The Empty Hearse,” which I greatly enjoyed even though for many viewers it couldn’t live up to the impossible expectations that had built up in the interim.
The online griping really started with the second of the three instalments, “The Sign of Three,” which took time out from crime solving (or so it seemed) to focus almost exclusively on the wedding of John Watson (Martin Freeman) and Mary Morstan (Amanda Abbington) with Sherlock Holmes (Benedict Cumberbatch) comedically out of his element after having best man duties imposed on him. The result was the nearest thing you’ll ever get to Sherlock Holmes: The Sitcom and I have to say that I loved it to bits and laughed throughout, the absolute highlight being the way that Sherlock’s ‘metatag wordcloud’ view of the world was completely compromised by too much beer on the stag night. Read the rest of this entry »
Christmas is over, the New Year has been seen in, but just before we exit holiday standby mode here are three quick reviews of BBC television festive fare from the last week. There are some mild, implied spoilers but nothing too overt.
Sherlock S3 E1 “The Empty Hearse” (BBC One)
The BBC’s high-quality modern version of Sir Arthur Conan Doyle’s famous consulting detective finally made its long-awaited return to our screens two years after Sherlock Holmes’ apparently fatal plunge off a hospital rooftop. There had been much speculation about how Holmes cheated death and the episode had great fun in dodging and deferring that question, instead presenting some of the more outlandish Internet theories that have been bandied around in the interim (one of which included a lovely cameo by Derren Brown); when the real solution is finally rolled out late in the day, the in-show conspiracy theorist deflates and pronounces it “Disappointing” before immediately picking holes in it, refusing to believe the answer – just like the real-life social media reaction that followed after the show aired. Co-creators Mark Gatiss and Steven Moffat know their audience, that’s for sure. Read the rest of this entry »